Series Reviews

by Ivan Magrin-Chagnolleau
Disclaimer by Alfonso Cuarón
Swagger by Reggie Rock Bythewood

Book Reviews

by Ivan Magrin-Chagnolleau
Crowdfunding for Filmmakers, 2nd Edition by John T. Trigonis
Making the Magic Happen by Peter D. Marshall
Jazz Vocal Improvisation by Mili Bermejo
Being Professional by Adam Coplan
Audio Post Production for Film and Television by Mark Cross
Making It Big in Shorts by Kim Adelman
Berklee Jazz Standards For Solo Piano by Robert Christopherson, Hey Rim Jeon, Ross Ramsay, Tim Ray
Beat by Beat: A Cheat Sheet for Screenwriters by Todd Klick
The Coffee Break Screenwriter, 2nd Edition by Pilar Alessandra
You Can Act on Camera by D.W. Brown
The Director’s Six Senses by Simone Bartesaghi
Master of the Cinematic Universe by John Bucher and Jeremy Casper
Notes to Screenwriters by Vicki Peterson and Barbara Nicolosi
Pour Roland Barthes de Chantal Thomas
The Authentic Actor by Michael Laskin
Why Does The Screenwriter Cross The Road by Joe Gilford
Film+Video Budgets 6th Edition by Maureen A. Ryan
Rencontre interculturelle autour de pratiques théâtrales. Projet ANRAT – IDEA Europe de Joëlle Aden
The Lee Strasberg Notes by Lola Cohen
Perfecting Your English Pronunciation by Susan Cameron

Performance, Theatre & Dance Reviews

by Ivan Magrin-Chagnolleau
Acte sans paroles de Dominique Dupuy

by Irène Sadowska Guillon
Lumières de bohème de Carlos Martin
L’art des putes de Carlos Martin
Fla.co.men d’Israel Galvan

Music Reviews

by Ivan Magrin-Chagnolleau
Karine Deshayes, Delphine Haidan & Thomas Palmer
Trio SR9
Orchestre National d’Île-de-France

Art Reviews

by Ivan Magrin-Chagnolleau
Les Luminales de Maryza Jonath et Jean-Pierre Quérin