Ivan Magrin-Chagnolleau


Ivan MAGRIN-CHAGNOLLEAU is an artist philosopher who has been involved in art making as well as academic research and teaching for many years.

He is affiliated with the CNRS in France, and currently works with the PRISM Laboratory in Marseille, a joint-lab between CNRS and Aix-Marseille University investigating on the relationships between art and science. He is also affiliated with Chapman University in California.

His interests include: the creative process and its phenomenological dimension, art and philosophy, artificial intelligence and creativity, art and spirituality, film studies and criticism.

He is the founder and the editor-in-chief of the journal p-e-r-f-o-r-ma-n-c-e, journal of art research and creation on Performing and Visual Arts.


L’héritage de Lee Strasberg. p-e-r-f-o-r-m-a-n-c-e, 2.
L’incorporation animale chez l’acteur.
p-e-r-f-o-r-m-a-n-c-e, 2.
Du chaos à la création : une expérience de pédagogie énactive pour expérimenter le processus créatif en performance.
p-e-r-f-o-r-m-a-n-c-e, 2.
In Praise of the Artist Researcher. p-e-r-f-o-r-m-a-n-c-e, 1.


Interview with Bragi Thor Hinriksson, Film Director. p-e-r-f-o-r-m-a-n-c-e, 6.

Issues Presentations

Presentation of the Issue on Cuisine and Performance. p-e-r-f-o-r-m-a-n-c-e, 3.
Présentation du numéro sur Théâtre Éducation. p-e-r-f-o-r-m-a-n-c-e, 2. Avec Joëlle Aden.
Presentation of the Issue on The Artist Researcher. p-e-r-f-o-r-m-a-n-c-e, 1. With Ludivine Allegue.
Presentation of the Journal p-e-r-f-o-r-m-a-n-c-e.org. p-e-r-f-o-r-m-a-n-c-e, 1.

Film Reviews

The Story of my Wife by Ildikó Enyedi
Official Competition by Mariano Cohn and Gastón Duprat
Illusions perdues de Xavier Gianoli
My Very Own Circus by Miryam Bouchard
Birta by Bragi Thor Hinriksson
2021 Schlingel Festival Chemnitz
2019 Schlingel Festival Chemnitz
     Phantom Owl Forest by Anu Aun
     Spread Your Wings by Nicolas Vannier
Nevada de Laure de Clermont-Tonnerre
Sun de Jonathan Desoindre
Meltem de Basile Doganis
Nice Girls Don’t Stay for Breakfast de Bruce Weber
La Chute de l’Empire Américain de Denys Arcand
2018 Schlingel Festival Chemnitz
     Meerkat Moonship by Haneke Schutte
     Pony and Birdboy by Mari Rantasila
2018 Off-Courts Trouville
The Big Bath by Gilles Lellouche
Little Tickles by Andréa Bescond and Éric Métayer
Happy as Lazzaro by Alice Rohrwacher
Image Book by Jean-Luc Godard
Yomeddine by A.B. Shawky
Rafiki by Wanuri Kahiu
Wildlife by Paul Dano
Loveless (Faute d’amour) by Andrey Zvyagintsev
It’s Only the End of the World by Xavier Dolan
I, Daniel Blake
by Ken Loach
by Jeff Nichols
American Honey by Andrea Arnold
Hands of Stone by Jonathan Jakubowisz
Timecode by Juanjo Gimenez

Notre Petite Sœur de Kore-Eda Hirokazu
Mia Madre de Nanni Moretti
Youth de Paolo Sorrentino
Au delà des montagnes de Jia Zhang-Ke
La Glace et le Ciel de Luc Jacquet
Magic in the Moonlight by Woody Allen

A Sergio Leone Retrospective at Cinémathèque Française
Birdman by Alejandro González Iñárritu
Being 14 by Hélène Zimmer

Dance Reviews

Act Without Words by Dominique Dupuy. p-e-r-f-o-r-m-a-n-c-e, 1.

Music Reviews

Karine Deshayes, Delphine Haidan & Thomas Palmer. p-e-r-f-o-r-m-a-n-c-e, 3.
Trio SR9. p-e-r-f-o-r-m-a-n-c-e, 3.
Orchestre National d’Île-de-France. p-e-r-f-o-r-m-a-n-c-e, 3.

Art Reviews

Les Luminales de Maryza Jonath et Jean-Pierre Quérin. p-e-r-f-o-r-m-a-n-c-e, 3.

Book Reviews

Crowdfunding for Filmmakers, 2nd Edition by John T. Trigonis. p-e-r-f-o-r-m-a-n-c-e, 6.
Making the Magic Happen by Peter D. Marshall. p-e-r-f-o-r-m-a-n-c-e, 6.

Jazz Vocal Improvisation by Mili Bermejo. p-e-r-f-o-r-m-a-n-c-e, 4.
Being Professional by Adam Coplan. p-e-r-f-o-r-m-a-n-c-e, 4.
Audio Post Production for Film and Television by Mark Cross. p-e-r-f-o-r-m-a-n-c-e, 4.
Making It Big in Shorts by Kim Adelman. p-e-r-f-o-r-m-a-n-c-e, 4.
Berklee Jazz Standards For Solo Piano by Robert Christopherson, Hey Rim Jeon, Ross Ramsay, Tim Ray. p-e-r-f-o-r-m-a-n-c-e, 4.
Beat by Beat: A Cheat Sheet for Screenwriters by Todd Klick. p-e-r-f-o-r-m-a-n-c-e, 4.

The Coffee Break Screenwriter, 2nd Edition by Pilar Alessandra. p-e-r-f-o-r-m-a-n-c-e, 3.
You Can Act on Camera by D.W. Brown. p-e-r-f-o-r-m-a-n-c-e, 3.
The Director’s Six Senses by Simone Bartesaghi. p-e-r-f-o-r-m-a-n-c-e, 3.
Master of the Cinematic Universe by John Bucher and Jeremy Casperp-e-r-f-o-r-m-a-n-c-e, 3.

Why Does The Screenwriter Cross The Road by Joe Gilford. p-e-r-f-o-r-m-a-n-c-e, 2.
Notes to Screenwriters by Vicki Peterson and Barbara Nicolosi. p-e-r-f-o-r-m-a-n-c-e, 2.
Pour Roland Barthes de Chantal Thomas. p-e-r-f-o-r-m-a-n-c-e, 2.
The Authentic Actor by Michael Laskin. p-e-r-f-o-r-m-a-n-c-e, 2.

The Lee Strasberg Notes by Lola Cohen. p-e-r-f-o-r-m-a-n-c-e, 1.
Perfecting Your English Pronunciation by Susan Cameron. p-e-r-f-o-r-m-a-n-c-e, 1.